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  1. Interior Casino Décor | Casino Theming | Custom Decor Design | Casino Interior Upgrade | Gaming Floor Casino Décor | Casino Carpet Design | Little Creek Unidentified Casino, circa 's | #DesignLUX Explores Las Vegas Architecture .. A crystal chandelier in the lobby bar at the Red Rock Casino, Resort & Spa.:
    Explore Idea Hospitality's board "Casino design" on Pinterest. Crown Metropol Hotel, Melbourne, Australia - design by Bates Smart, architects - Southbank Precinct accommodation building: Crown Metropol Hotel .. Pechanga Resort and Casino delights crowd with new restaurant additions, swift ornate lobby remodel. Explore Marta Bozyk's board "casino" on Pinterest. | See more ideas about Casino night, The casino and Architecture. These high house percentage, computerized games are placed in restaurant lobbies, at bar counters in local pubs, in gas stations, laundrymats and even supermarkets. After all gambling is legal throughout the State of Nevada and there is no inherent reason why games of chance should be restricted to tourist casinos.
  2. “But if you get up and the casino is right there, figure for a big chance that the customers will game before they head out. “The value of Cuningham provided master planning, architecture and interior design for the renovation of the main lobby, casino and buffet and the addition of a new sports bar.:
    Though shopping and wedding tourism have become utterly important, the spatial embodiment of this function is still the casino, which accommodates and enables Las Vegas' major play pleasure: chance gaming. The Mirage Resort casino opened on The Strip in and marks the merger of themed gambling and. Atlantic City, the casinos did not make a single architectural gesture, not even a nod, to the Boardwalk or the beach. casino floor, where the lighting and temperature never changed Leaving nothing to chance, casino operators pumped oxygenfilled air onto the gaming floors at regular intervals to keep bettors awake. Most Las Vegas hotel lobbies are near the gaming area, said John Wald, project manager for the local Klai-Juba Architects, which designed Mandalay Bay among other Strip properties. "Here we definitely wanted a separation between the casino and resort." Volume and aesthetics. Ample space provides a.

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He has an art collection that includes a Donald Judd sculpture, a pair of Warhol portraits of a young Thomas, a Joseph Cornell box, and a Giorgio Morandi still-life, but he seems most excited by a rustic Western stool in his bedroom, made entirely out of elk parts.

At the age of forty-five, Thomas, who was brought up in the Mormon Church and had been married twice, realized that he was gay. He is now married to Arthur Libera, a licensing agent for artists and designers. After he came out, his younger brother, a bishop in the church, was forced to excommunicate him, but the brothers remain extremely close.

Thomas is Las Vegas royalty. Nevada developers had always relied on the Mafia for financing, because legitimate banks refused to give casinos construction loans. But, in the nineteen-fifties, Thomas, as the young C. In the late sixties, he became a lead adviser to Howard Hughes, who had started buying up casinos.

Hughes moved into the penthouse of the Desert Inn during Thanksgiving week in When he overstayed his reservation, and the managers asked him to leave, he bought the hotel. Roger Thomas, who was born in , grew up as the misfit of the family. A poor student who struggled with severe dyslexia, he found solace in the world of costume and fashion. In his junior year of high school, he transferred to the Interlochen Arts Academy, in Michigan, where he focussed on ceramics, metalwork, and weaving.

Then, after getting a degree from the School of the Museum of Fine Arts, in Boston, he returned to Las Vegas and started working in interior design. Whenever he notices a form that interests him—whether a picture frame at the Louvre or a Piccadilly shopping arcade—he will look at it for a long time in order to memorize its details.

They are a guide when he starts work on the space. It was a period of rapid aesthetic developments. Whereas the palace interiors of Louis XIV were all about the projection of power, with rigidly vertical jewel-encrusted seats and vast rooms, his successor, Louis XV, insisted that Versailles become a haven of comfort, a retreat from the burdens of the monarchy.

He installed plumbing for his rosewood bidet and ordered furniture that featured padding and lumbar support. The once spare private quarters of the palace were crowded with soft chairs and couches covered in richly colored fabrics.

Many of the designs were inspired by the new science of orthopedia, which aimed at preventing skeletal disorders. Thomas remains deeply nostalgic for these antique seats.

They identified the best dimensions, the best frame, the best angles. Of course, Las Vegas design has practical constraints unanticipated by the decorators of Versailles. Comfort is therefore a crucial issue. The performance of the space will suffer, and the Operations guys will complain. The role of the Operations Department is key: At the Wynn, the amount of alcohol consumed at the bars is closely tracked, because many of them rely on a central distribution system in the back of the house.

The Operations Department also monitors the earnings of the gaming machines and tables. The mousetrap also has to last. When Thomas imagines a carpet, he thinks about all the ways that carpet will be stained. When he designs a coffee table, he has to think about how the veneer will look after getting bumped by an endless parade of roller bags.

When Thomas is planning a room, he spends an inordinate amount of time thinking about drunken visitors crashing into furniture and glass walls. During one of the days I spent with him, the horticulture staff was handing around a cell-phone snapshot of someone passed out in the Wynn lobby: Where is the guy on his third Martini going to trip?

The Bellagio spurred a kind of arms race of luxury design in Las Vegas. In , Sheldon Adelson opened the first phase of the Venetian, a gigantic hotel featuring a model of St. One-upmanship is inherent in the idea of luxury, of course. He wants to make you feel special. Thomas, for his designs at the Wynn, combed his notebooks searching for ideas so extreme that he had never been able to use them.

Thomas also wanted to incorporate as many authentic artifacts as possible. He decided to decorate one grand staircase with six-foot-tall prewar olive jars. To find enough jars, his team spent two years scouring antique stores in Italy, Greece, and London. When it came to the design of the casino itself, nothing was left to chance. Wynn commissioned a life-size model of the main gambling space, at a cost of nearly two million dollars.

The model allowed Thomas and Wynn to test and refine every design element in the gaming area, from the lumbar support in the chairs to the chandeliers over the card tables, which make the vast casino feel like a collection of intimate dining areas. All this effort appears to have paid off. According to recent financial reports, the Wynn Las Vegas and a sister hotel generate fifteen per cent more revenue per guest room than the Venetian and its sister hotel do. Wynn and Thomas have replicated these results in China, at the Wynn Macau, which made a profit of more than seven hundred and fifty million dollars in The Wynn Macau looks like a scaled-down version of the Wynn Las Vegas, and Thomas filled it with similarly rich interiors and artifacts.

He chose periwinkle for a ceiling in one restaurant. Las Vegas, being founded on the twin supports of outlandish discretionary spending and highly leveraged construction projects, was devastated by the bursting of the property bubble and the recession, and it has been going through hard times. Many expected that the downturn would make Thomas irrelevant. In this climate, even Steve Wynn might find it a stretch to fill a hotel with custom designs. I watched this process unfold in a reception area outside the gym of the Wynn Las Vegas, as Thomas and his team met with Marilyn Spiegel, the president of the hotel, to discuss renovation plans.

Thomas has learned how to follow a budget, even if it requires the occasional compromise. Talking to Spiegel, he never mentioned his sketchbooks or new custom furniture.

Instead, he found ways to repurpose old pieces in the warehouse and leaned heavily on the transformative powers of fresh paint. When one of his assistants pointed out signs of wear on an antique mirror, Thomas brushed aside her concerns: Still, Thomas is most in his element working in an environment giddily free of financial constraints.

There was the installation of art to supervise, including a Joan Mitchell in the entryway and a Lucian Freud in the dining area, and piles of books to shelve in the library. He personally checked that every lampshade was straight—a few in the stairwell were off by a fraction of an inch—and tested several kinds of light bulb in the custom chandeliers. The only thing that seemed to please him was the placement of a Manet pastel in the master bedroom. By the end of the afternoon, Thomas had been working for ten hours straight and was looking tired.

His starched shirt had sweat stains, his hair was matted with dust, and his posture was starting to give out, his shoulders sagging like poorly hung drapery. He quickly scanned the living room and sank into a plum velvet loveseat that he had helped design. On the gambling floors, rows of Bank Buster and Black Gold Wild slot machines flash wildly and even the baize looks brighter.

The lights in the ladies' toilets are crystal extravaganzas. Macau has the Chinese Communist party to thank for this transformation. The late 90s were a nadir for the region, with powerful interests jockeying for position as the gambling concession drew to a close and Portugal prepared to hand the colony to the mainland.

Turf wars spiralled out of control; saw 42 murders in a territory with just half a million inhabitants. Then Beijing took charge, marching the military into the centre of Macau and warning the gangs that the violence had to end.

Broken Tooth and his lieutenants were jailed for criminal association, loan-sharking and illegal gambling. More importantly, the handover unleashed the mainland's pent-up demand for gambling. Its casinos have flourished not in spite of the communists' longstanding ban on mainland gaming — but because of it. But it's safer to play here and people come to have fun. You don't get things like this at home.

In fairness, there are not many places in the world to watch water jets spurt and fireballs erupt in time to a pounding cover of Holding Out For a Hero. Such spectaculars are testament to the two factors that turbo-charged Macau's expansion.

The second was China's astounding economic growth, producing a stream of visitors who could never have afforded the trip before. In there were just 3m trips to Macau.

Last year there were 25m, mostly from the mainland. On peak days during the Chinese new year as many as , tourists pour through the doors of the Venetian Macau. Fortunately, it is the world's largest casino, with , square feet of gaming space. It is the ultimate in ersatz tourism — a replica of a replica — with all the gilding and gondolas from Nevada and twice the space.

Tourists pose for photos in "St Mark's Square" and soak up the Venetian-style entertainment: Despite such exotic features, Macau's casinos are carefully tailored to the Chinese market. Feng shui consultants have determined the layout; players snack on congee or dumplings; the complimentary drink is tea, not beer. There's little poker and less roulette, but endless baccarat: The biggest difference is the players' demeanour; the intensity with which they peel cards from the table and throw them back towards the dealer.

The clack of chips and shuffle of decks is punctuated not by chatter or laughter but by the occasional, angry thump of a table. Gaming is a serious business. This helps to explain the paradox that confounds many observers: In part, the habit is self-sustaining.

Chinese people have been gaming for millennia; "You have a general culture where people will bet on two flies crawling up a wall," says Wordie. Everyone enjoys taking risks — "like being married", she explains — but westerners see betting as a leisure activity, while Chinese players regard it as a financial venture. It's not really an investment — but it looks like an investment to them," she says. You can watch average-looking customers drop hundreds of pounds in just a hand or two. But the real action takes place well away from the casino floors, in the VIP rooms; around three quarters of Macau's gaming revenues comes from the thousands of high-rollers.

Although the casinos offer perks, from Jacuzzi-furnished suites to flights in private jets, they depend on junket operators — a by-product of Beijing's currency controls — to bring in these wealthy players. Serious gamblers deposit their yuan on the mainland and the junket firms advance them money in the casinos' VIP rooms — often extending substantial credit. But junkets are notoriously difficult to control," says Vickers. It may be that the registered operators are clean — but the hard reality is that financiers or guarantors behind them primarily have triad backgrounds of some sort.

There have been repeated scandals over Chinese officials using trips to Macau to gamble away embezzled public money or launder bribes, one reason authorities have mixed feelings about the industry. In the gambling trade wobbled when Beijing tightened travel restrictions to the region, hitting casinos already reeling from the financial crisis. The sector faced another challenge in March when shares in Sands China, which owns the Venetian and Sands Macau, fell on its announcement that Hong Kong regulators were investigating alleged breaches of financial regulations.

Executives have linked those inquiries to the wrongful termination case brought by the former chief executive Steven Jacobs. The firm, which is contesting the suit, said it sacked him for exceeding his authority; Jacobs has alleged he was fired after resisting "outrageous" demands to use "improper 'leverage'" against Macau officials. The subpoena is described as a fact-finding inquiry and does not mean the SEC has concluded anyone has broken the law," says a Sands spokesman.

Sheldon Adelson, the tycoon behind the group, pledged in March: Others have broader concerns about the impact of casinos.

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Odile Decq, “Architecture Thinking”