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    I love it. scarface, casino, goodfellas, godfather. all these movies make me wanna get a gun. fuck you world. goo to my channel for more goodfellas and casino scenes. GO TO MY CHANNEL FOR MORE CLIPS. and Joe Pesci star in Martin Scorsese's riveting look at how.
  2. The Greatest scenes in movie history GoodFellas, You gotta go back - Duration: Green House 5,:
    Goodfellas favorite scene. Paulie, what do I know about the restaurant business - Duration: bonnie brae. Jimmy was a greedy bastard. He never could've pulled off that heist alone, but instead of splitting the money. I happened upon the filming of this scene at the time when I lived in Forest Hills Queens. It WAS actually filmed.
  3. Casino Robert de Niro and Joe Pesci. Reply 32 kulgan years ago. If you look up.:
    Clip from the classic gangster film Goodfellas. Full "Billy Bats" scene shows how you can never bust a. Robert De Niro, Sharon Stone and Joe Pesci star in Martin Scorsese's riveting look at how blind ambition. Two other Scorsese films outrank Goodfellas when it comes to this specific profanity: the word is dropped times in Casino and a whopping times . YouTube. Most fans of the film know that it's Martin Scorsese's mother Catherine who plays Tommy mother in the infamous dinner scene following Billy.
  4. What techniques Scorsese tested in GoodFellas are on full display in Casino. The extended Copa shot? Peanuts compared to the first 45 minutes of Casino. The first portion of the film plays the way a trailer from the '70s Golden Era might: stripping things to the narrative bone, dispensing with dull scenes of.:
    Griffon: The only guy who uses real money in the movie is De Niro. He had like $5, cash in his pocket. I went to the bank and took out a couple thousand dollars of my own, but you had to keep track of it. Like the scene in the casino, he's throwing $50 and $20 bills around. And as soon as they cut, we're. Not enough big studio movies feature scenes in which a guy gets his head kicked to mush, especially when the kicker is an A-list star such as Gosling. But for temperamental gangster Tommy DeVito (Joe Pesci) in Martin Scorsese's classic Goodfellas, his childhood days of cleaning older men's kicks is a. The short actor with an even shorter fuse became famous for playing ruthless mobsters eager to inflict pain, and often their propensity for violence catches up to them — sometimes in savage fashion. 25 THINGS YOU NEVER KNEW ABOUT SCORSESE'S 'GOODFELLAS'. With Pesci turning 73 on Tuesday.

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He had a knack for capturing the swagger and the vulgarity of mob life: The role followed him around for 25 years. In fact, in a video interview , Vincent said that people still quoted the "shinebox" line back to him everywhere he went.

He joked that he could buy a new Mercedes if he got a dollar every time that happened. He didn't hesitate to cash in on the line's popularity, selling mugs and shirts with the Billy Batts image and quote emblazoned on them.

You just find the essence of it, and you do it. Weekly magazine, delivered Daily Newsletter Website access. Frank Vincent memorably played the doomed mobster Billy Batts in 'Goodfellas' Keep up with this story and more by subscribing now Related: During that interview, Vincent downplayed his skill in delivering that unforgettable quip.

Request Reprint or Submit Correction. I think I gave it a B when it came out, but it'd be closer to a C now. I really want to like it, but it's just so Stone really should get more recognition for that work. And Michelle Williams looked as if she was reading lines from the cards camera guy was holding up. Completely agree about Stone - her Casino works grants her a career pass from me.

Shipping Up to Boston was good for The Departed the first time it was used, but after the 4th time, I got a little annoyed. Still, Marty knows his music, just as well as he knows his films. Bringing Out the Dead is batshit nuts, isn't it? I wasn't a fan of that movie the first few times I saw it, but I kinda dig it now. But oh well, still a bitchin' track. Crap, I need to catch up on my Scorsese. I've only watched Goodfellas, The Aviator and parts of The Departed bad quality, fell asleep, long story.

However, all the songs you selected from Goodfellas are indeed brilliant. Nice man, glad you're a fan of the 'Fellas. Scorsese is a God Love these picks man.

I know you're not a fan of the film, but that moment just kills me when Michelle Williams turns to ash in DiCaprio's hands with that song playing.

Although I'm not the biggest admirer of Shutter Island, that scene you mentioned is really well done. Acting in that movie is flawless, no doubt.

Glad you like the list! The opening music from Cape Fear also came to mind - http: I think that music is actually from the original? I haven't seen it so I'm not sure. Ohh yeah, Saul Bass rocked that out. That is a fine piece of music. I didn't want to use score for this list although, because that track is old, I guess it could be considered a "real" song, not score Either way, great great pick. Yeah, that scene in Goodfellas with Layla playing in the background is just pure cinematic gold, it's what first made me sit up and take notice of the genius that is Scorsese.

I would've put the intro to Raging Bull in at number one, completely sells you the film from frame one, all the people listed should've paid him to be in that sequence. One of the many problems with Shutter Island was that the score was far too overbearing and bombastic, especially strange for a Scorsese film as he is such a maestro with music.

Loving these Scorsese lists. Glad you dig the list man. That "Layla" scene is forever iconic, no doubt. I was really damn tempted to throw the Raging Bull intro to number one, for all the reasons you mentioned. And I also agree about the score with Shutter Island - little to much for me.

But, again, oh well, the man is still a master. I immediately thought that Layla should be 1, but as I read through 5, 4, and 3, I realized that all those were great choices too. I'm also a big fan of Gimme Shelter at the opening of The Departed, but it does probably pale in comparison to I'm Shipping Up to Boston for that movie.

Thanks Dan, really glad you like the choices! I think you nailed the top 3,when I saw the title,it is exactly the same 3 I first thought about. Really cool that we're right in line there. Good list as always, I also love the "Sunshine of your love" by Cream while Jimmy decides he's gonna whack Morrie in Goodfellas. His stare, the way he doesn't blow out any smoke. Few directors can cut a scene to a track more appropriately than Martin Scorsese.

Here are my 10 favorite examples as to why. Casino will always live in the shadow of GoodFellas. And, I suppose, the reasons as to why are fair. There are plenty of similarities between the two, chief among them is the exercise in killing off most of your cast in one sequence. The result is a series of calmly executed scenes of extreme physical mayhem.

Bravado filmmaking at its most raw. As iconic as music in movies gets. How can you possibly stop that speed of chronological pacing to focus on just one day? The clip below has been slightly reedited by the uploader. It isn't exactly right, but it's as close as I could find. Damon pretends to be on the level, DiCaprio agrees to go under, cut to a dolly shot of a cold prison cell, cue title card.

But watching the scene, it is virtually impossible to imagine anything else. This is pop pulp cinema at its absolute finest, folks.

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Quick witticism secures your cutoff seat. The lesson gleaned from this scene is two-fold. Endurance poker is bad for the heart and second, poor sportsmanship never goes unpunished. Are they playing poker in this clip? Yes, but who cares. Now, jerk that pistol and go to work. The studly Paul Newman plays a mean hand of Five Card Stud in this; one of the more accurate theatrical poker scenes ever made.

It gets the hijack seat for three reasons: Newman rears his pretty little head for the second consecutive time as Henry Gondorff, a superlative con artist. It also demonstrates the importance of really committing to a character. Playing a sloshed clod requires foresight and, most crucially, believable props.

Poker pro Scott Nguyen most likely based his entire career on this principle. He runs an underground New York poker room, which presumably means he knows a thing or two about poker. Mike checks and Teddy raises, but not before engaging in a weird—and now legendary—Oreo ritual. Blatant tell shenanigans advance from there. In the below clip, Hawkes demonstrates his zero tolerance for cheating mentality against a scallywag attempting slight of hand with the aid of a holdout device.

This early position match-up pits L. Outflanked and battling an unfavorable intimidation factor, Hoyte manifests a three of a kind over two pair. Normally, committing hand rankings to memory is a fairly crucial, albeit elementary poker practice.

But in this case, intimidation eclipses petty customs See the 4: Interestingly, Smiley and his friends have all experienced the distinct pleasure of butt violation and they seem pretty ok with it?

And then there was Casino , the remarkable and grisly crime epic, in which Vincent—by then a recognizable face in crime dramas—finally got his revenge. Just typing the words "Casino cornfield scene" into the YouTube search box gives me chills.

Keep up with this story and more by subscribing now. Scorsese rolls the dice. Speaking of iconic scenes of mobsters getting whacked Never quite a leading name, he was the ultimate character actor of gangster cinema. Vincent had initially pursued a career as a musician, why is how he met longtime buddy Pesci.

He had a knack for capturing the swagger and the vulgarity of mob life: The role followed him around for 25 years. In fact, in a video interview , Vincent said that people still quoted the "shinebox" line back to him everywhere he went. He joked that he could buy a new Mercedes if he got a dollar every time that happened.

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I read an interview with Marty when The Departed came out, and the interviewer asked him why he uses "Gimmie Shelter" so much in his movies, and Marty said: Love the songs in Casino, especially as "House of the Rising Sun" plays when Ginger stumbles in the hallway, grasping walls and "Love is strange".

I adore "I'm shipping up to Boston", I also love how he used "Comfortably numb" in the love scene. The only movie by Scorsese where I didn't like the music was Shutter Island, it sounded more chaotic than inspired. Honestly, the more time that passes, Shutter Island does next to nothing for me. I think I gave it a B when it came out, but it'd be closer to a C now.

I really want to like it, but it's just so Stone really should get more recognition for that work. And Michelle Williams looked as if she was reading lines from the cards camera guy was holding up. Completely agree about Stone - her Casino works grants her a career pass from me. Shipping Up to Boston was good for The Departed the first time it was used, but after the 4th time, I got a little annoyed. Still, Marty knows his music, just as well as he knows his films. Bringing Out the Dead is batshit nuts, isn't it?

I wasn't a fan of that movie the first few times I saw it, but I kinda dig it now. But oh well, still a bitchin' track. Crap, I need to catch up on my Scorsese. I've only watched Goodfellas, The Aviator and parts of The Departed bad quality, fell asleep, long story. However, all the songs you selected from Goodfellas are indeed brilliant.

Nice man, glad you're a fan of the 'Fellas. Scorsese is a God Love these picks man. I know you're not a fan of the film, but that moment just kills me when Michelle Williams turns to ash in DiCaprio's hands with that song playing.

Although I'm not the biggest admirer of Shutter Island, that scene you mentioned is really well done. Acting in that movie is flawless, no doubt. Glad you like the list! The opening music from Cape Fear also came to mind - http: I think that music is actually from the original?

I haven't seen it so I'm not sure. Ohh yeah, Saul Bass rocked that out. That is a fine piece of music. I didn't want to use score for this list although, because that track is old, I guess it could be considered a "real" song, not score Either way, great great pick.

Yeah, that scene in Goodfellas with Layla playing in the background is just pure cinematic gold, it's what first made me sit up and take notice of the genius that is Scorsese. I would've put the intro to Raging Bull in at number one, completely sells you the film from frame one, all the people listed should've paid him to be in that sequence. One of the many problems with Shutter Island was that the score was far too overbearing and bombastic, especially strange for a Scorsese film as he is such a maestro with music.

Loving these Scorsese lists. Glad you dig the list man. That "Layla" scene is forever iconic, no doubt. I was really damn tempted to throw the Raging Bull intro to number one, for all the reasons you mentioned. And I also agree about the score with Shutter Island - little to much for me.

But, again, oh well, the man is still a master. I immediately thought that Layla should be 1, but as I read through 5, 4, and 3, I realized that all those were great choices too. I'm also a big fan of Gimme Shelter at the opening of The Departed, but it does probably pale in comparison to I'm Shipping Up to Boston for that movie.

Thanks Dan, really glad you like the choices! I think you nailed the top 3,when I saw the title,it is exactly the same 3 I first thought about. Really cool that we're right in line there. Good list as always, I also love the "Sunshine of your love" by Cream while Jimmy decides he's gonna whack Morrie in Goodfellas. His stare, the way he doesn't blow out any smoke. Few directors can cut a scene to a track more appropriately than Martin Scorsese.

Here are my 10 favorite examples as to why. Casino will always live in the shadow of GoodFellas. And, I suppose, the reasons as to why are fair. There are plenty of similarities between the two, chief among them is the exercise in killing off most of your cast in one sequence.

The result is a series of calmly executed scenes of extreme physical mayhem. Bravado filmmaking at its most raw. As iconic as music in movies gets. How can you possibly stop that speed of chronological pacing to focus on just one day? Authenticity became a fetish. Bracco's character wore real diamonds.

De Niro's character handed out real cash. Actual wiseguys even appeared in the crowd scenes. The locations, the cars, the costumes, the music - everything painstakingly picked to bring the period back to life. But that era's gone. But "Goodfellas," Scorsese was determined, would recreate it. Not to glamorize the life, but to show how it might seem glamorous to someone on the outside.

To some other little kid, his nose pressed against a window, looking. You can see that wonder and worship in the pale blue eyes of Liotta, a slightly squirmier Tony Curtis selling his soul piecemeal just to be among the tough guys. And you can see the hunger in Karen's gaze too, at first, when she sees Henry only as a man of power and protection and ready cash. Typically, Scorsese does this visually - best in the Copacabana sequence, when, with the camera following them in a long, unbroken, continuously moving shot, Henry leads Karen through a back door of the nightclub, snaking through various hallways and out the kitchen until they arrive at a table up front.

Almost wordlessly, it demonstrates Henry's influence, and Karen's growing respect. But it also shows the craziness of the life, the way that rather than simply doing things like anybody else - you make a reservation and you take your seat - even a rich crook has to play it cute, has to find an angle.

It's as much of an insight into the mob mind as anything else. It's a great shot, but "Goodfellas" is full of great shots, and risks. Freeze-framed images, fast cuts, rearranged timelines - Scorsese isn't afraid to use any of it. He even ends the film - in a tribute to "The Great Train Robbery" - with a character firing a gun straight at the camera.

At times, the film feels as coked-up as Henry. Yet the performances are almost always contained. But that allows the more restrained performances to stand out, and the quieter moments to shout.

As when Sorvino's mob boss ends a lifetime relationship with some folding money and a simple "And now I've got to turn my back on you. Yeah, I'm probably gonna have to whack the lot of 'em. If you watch how people actually behave in a situation, it's very simple and honest and contained. You don't need to use as much expression, as much feeling. Some characters will boil over, and that's another thing, but a lot of times I think you can just do very, very little.

Hard-to-read Conway is the coldest part of "Goodfellas," but the most problematic character is Henry, who's involved in extortion, loan sharking, burglary, arson, drugs and murder. In addition, of course, to cheating on his wife. And then, to top it off, he turns informer, and sends his friends to jail. But do you have to have a character you like for the picture to work? The one physical thing he does do, when he goes after the guy who went after Karen -- you know, most audiences, they actually like him for that.

Anyway, Scorsese went on, "Why does the character have to be redeemed? The idea of redemption is important to me and to a lot of my pictures. But is Jake LaMotta redeemed? I may think so; you may not. Is Henry Hill redeemed? After everything he goes through, all he says he regrets is that he isn't a wiseguy anymore. No one learns anything. The real Henry Hill certainly didn't; even after cutting a deal and grabbing a berth in the witness-protection program, he went back to crime; he was kicked out of the program, and died in The only thing Hill mourns, as Scorsese points out, is that now he's stuck in some middle-America suburb where he can't get decent pasta supposedly Ohio, although the scene was filmed in Monmouth County.

Yet in a way, is there a worse punishment for Henry than this? To no longer have the "juice" to get a front table at a top show? To no longer be able to throw his keys to someone and know his car is taken care of? For him, this is the only fall from grace that matters. And - going back to Scorsese's dual world of priests and gangsters - it's because Henry has broken a commandment.

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Dec 18,  · CASINO() I THINK I WANT MY MONEY BACK THE-ALBANIAN-GUY. Casino Blackjack Scene - Duration: GOODFELLAS- Never Bust a . Apr 07,  · Casino Blackjack Scene - Duration: AlanGNY , views. GoodFellas Full "Don't Touch My Girl" Scene - Duration: BMR4 1,, views. Among the many things Goodfellas has become the word is dropped times in Casino and a Ebert handed perfect four-star reviews to 12 of the 23 non.

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Goodfellas - Morrie's Wig Shop scene (720p)